“Landscape!” by Todd Roberts, URB, July 1992

Roberts, Todd. “Landscape!” URB, July 1992.

This is the travelog of the URB staff’s adventures in New York City during the 1992 New Music Seminar. The URB staff described the various parties they have attended as well as shared some of the misadventures they had on their way to and from those parties. They also provided some observations about the differences between the music and club scenes in New York and in Los Angeles. Among their observations, the house music scene is bigger in New York than in Los Angeles, with deep soulful house being the dominant sound. New York techno tends to be harder and less emotive than in Los Angeles. Between their observations of the NYC club scene and of NYC in general, this travelog provides a good snapshot of New York City in the early nineties.

Back issues of URB (unfortunately not a complete run) are available at the Schomburg Center for Research in Black Culture in New York City.

Advertisements

“Boom! NMS+Big Apple=Boom!” by Jason Bentley, URB, July 1992

Bentley, Jason. “Boom! NMS+Big Apple=Boom!” URB, July 1992.

URB’s resident record reviewer, Jason Bentley from California, offers his impression of the New York City dance music scene after attending the 1992 New Music Seminar. He mentions that while every New Yorker he met stated the city’s club culture was lacking, from his perspective, New York’s club culture was thriving. Also features record reviews.

Back issues of URB (unfortunately not a complete run) are available at the Schomburg Center for Research in Black Culture in New York City.

The Record Players: DJ Revolutionaries by Bill Brewster & Frank Broughton

Brewster, Bill, and Frank Broughton. The Record Players: DJ Revolutionaries. New York, NY: Black Cat, 2010.

A collection of interviews with DJ’s by Bill Brewster and Frank Broughton, authors of Last Night a DJ Saved My Life, some of which originally appeared on their website, djhistory.com,¬†which offers insight into the evolution of the DJ. Interviews that are particularly relevant to NYC house music history includes David Mancuso, Francois Kevorkian, Frankie Knuckles, DJ Pierre, David Morales, and Louie Vega.