Rietveld, Hillegonda C. This is Our House: House Music, Cultural Spaces and Technologies. Brookfield, VT: Ashgate Publishing, 1998.
Based on her PhD dissertation, This is Our House is an ethnographic study of how house music has developed and changed from its origins as music for gay African Americans in Chicago to its importation to England and the Netherlands, where the audiences are quite different and the music has changed as a result of the different socio-cultural environment. She also looks at the ways in which DJs and technology has shaped how the music is experienced. Even transporting the music from Chicago to New York has changed it in the sense that New York house tended to be slower, less tracky, and less influenced by Italo disco than its Chicago counterpart.
Thomas, Andy. “Gimme Shelter.” Straight No Chaser, September 2007. DJhistory.com. http://www.djhistory.com/features/gimme-shelter-2007-0 (accessed June 4, 2013).
Originally appearing in the final issue of Straight No Chaser, this article is a spotlight on The Shelter. The Shelter originally started as a one-off Paradise Garage reunion party in 1991, it immediately became a weekly party where dancers reigned. “The Maestro” Timmy Regisford provides a mix of house, disco, Afro-beat, and jazz to dancers who are ready to surrender to his mix. Andy Thomas talks to some of the dancers and dance music professionals who make Shelter their home.
Brewster, Bill, and Frank Broughton. The Record Players: DJ Revolutionaries. New York, NY: Black Cat, 2010.
A collection of interviews with DJ’s by Bill Brewster and Frank Broughton, authors of Last Night a DJ Saved My Life, some of which originally appeared on their website, djhistory.com, which offers insight into the evolution of the DJ. Interviews that are particularly relevant to NYC house music history includes David Mancuso, Francois Kevorkian, Frankie Knuckles, DJ Pierre, David Morales, and Louie Vega.